The Red Epic

EPIC ushers in the next generation of digital cinema, featuring a 5K sensor capable of capturing 1 to 120 frames per second at full resolution. From fashion spreads to 3D IMAX features, EPIC has crossbred elite photography with unrivaled cinema capability—all in a camera the size of a DSLR. In challenging lighting conditions, EPIC makes it easy to adapt with its ability to reach up to 18 stops of dynamic range with HDRx. Remarkable technology packed into a 4lb body - with EPIC, less is more.

Whether you’re shooting a spread for Esquire or an IMAX-ready blockbuster, EPIC’s stunning 5K images fit every facet of distribution. Precisely engineered to exceed even the highest standards, EPIC features advanced technology that sets the precedent for cinema and photographic excellence. With DSMC functionality, you’ll be able to capture a breadth of video and stills all at once. Any lens. Every job. One EPIC.

No project is ever the same. Which is why EPIC features interchangeable lens mounts to ensure you get the look you want every time. With mounts for Nikon, Leica, Canon, and PL glass, you’ll never be short of options to pick and choose from. Equip yourself to express your vision with EPIC and DSMC technology.

HDRx technology yields up to 18 stops of dynamic range, broadening your exposure in even the most challenging lighting conditions. EPIC offers at least 4 more stops of latitude than its 35mm and DSLR counterparts, allowing cinematographers and photographers alike to make the impossible possible. With HDRx, dynamic range is finally dynamic.

EPIC is the only 5K solution for lightweight 3D image acquisition. Small form factor and broad compatibility is important for efficient 3D production, which is why 3ality Technica was inspired to create their compact ATOM 3D rig exclusively for the EPIC. Once you’ve shot your footage, bring your project into REDCINE-X PRO for easy 3D grading, viewing, and exporting. EPIC adds another dimension to what you once thought was possible with a cinema camera.

With EPIC's ability to capture 5K at up to 120 frames per second, you’ll never miss that perfect shot. Ever. For even faster speeds, switch to 2K resolution and capture up to 300 frames per second while retaining 2x the detail of HD. For robust efficiency, you can capture video and photos simultaneously, using an HDRx track to draw sharper stills. With EPIC, your subject will never be faster than your camera.

REDMAG SSD media provides a solid, dependable media solution with storage capacities from 64GB, 128GB, and 256GB. Capable of reaching speeds up to 180 mb/s, REDMAG media is 2x faster than traditional CF cards—making it easier to offload the 160,000+ RAW frames you can capture with one SSD.

Specifications

SENSOR	14 MEGAPIXEL MYSTERIUM-X™
PIXEL ARRAY	5120 (h) x 2700 (v)
S/N RATIO	66db
DYNAMIC RANGE	13.5 stops, up to 18 stops with HDRx™
MAX IMAGE AREA	5120 (h) x 2700 (v)
LENS COVERAGE	27.7mm (h) x 14.6mm (v) x 31.4 mm (d)
DEPTH OF FIELD	Equivalent to S35mm (Motion) / APS-H (Still) lenses  Equivalent to 16mm (Motion) lens in 2K RAW
ACQUISITION FORMATS	5K RAW (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1)  4.5K RAW (2.4:1)  4K RAW (16:9, HD, 2:1 and Anamorphic 2:1)  3K RAW (16:9, 2:1 and Anamorphic 2:1)  2K RAW (16:9, 2:1 and Anamorphic 2:1)  1080p RGB (16:9)  720p RGB (16:9)
PROJECT FRAME RATES	23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions
DELIVERY FORMATS*	4K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)  2K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)  1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG  Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4
PROGRAM OUTPUT	HD-SDI Clean Feed  2K RGB, 1080p RGB or 4:2:2, 720p 4:2:2  SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio
MONITOR OUTPUT	HD-SDI and HDMI with Frame Guides and Look Around  2K RGB, 1080p RGB or 4:2:2, 720p RGB or 4:2:2  SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio
DIGITAL MEDIA	REDMAG (SSD) Module : (64, 128, 256GB Media)
REDCODE™	12 and 16-bit RAW : Compression choices of 18:1 to 3:1  1-120 fps 5K, 4.5K  1-150 fps 4K  1-200 fps 3K  1-300 fps 2K
AUDIO	2 channel, uncompressed, 24 bit, 48KHz.  Optional 4 channel, and AES / EBU digital audio.
MONITORING OPTIONS	RED LCD 5" Touchscreen Display  BOMB EVF™ High Definition Viewfinder
REMOTE CONTROL	Wireless, Ethernet, RS232, GPI Trigger
WEIGHT	5lbs. Body only
CONSTRUCTION	Aluminum Alloy
TEMPERATURE RANGES	Operating Range: 0˚C to +40˚C (32˚F to 104˚F)

Canon 1Dc 4K DSLR

London, UK, 12 April, 2012 – Canon today announces the introduction of the new EOS-1D C, a digital single-lens reflex (SLR) camera targeting the motion picture, television and high-resolution production industries. Delivering outstanding video quality, advanced low light performance and film-like dynamic range, the compact and lightweight EOS-1D C supports in-camera 4K (4,096 x 2,160) video recording with 4:2:2 colour sampling, offering greater creative freedom for video professionals.

The first SLR camera of its kind, the EOS-1D C offers a unique and highly portable package optimised for high-quality video recording. Advanced creative flexibility is provided with support for a range of resolutions and variable frame rates. 4K video is recorded using 8-bit Motion JPEG compression at 24p, and Full HD (1920 x 1080) video capture is available at frame rates up to 1080/60p. The camera supports internal recording to CF cards at all resolutions up to and including 4K, offering enhanced mobility. Video can also be output to external recorders1 via an integrated HDMI terminal using an uncompressed YCbCr 4:2:2 signal.

The EOS-1D C also features Canon Log Gamma, which facilitates the capture of high quality video rich in exposure latitude and dynamic range. Ideal for video professionals who want to retain the maximum amount of information without huge file sizes, Canon Log Gamma offers a dynamic range uniquely comparable to film, minimising shadowdetail loss and highlight-detail loss to provide greater grading freedom for colourists in post-production.

"The EOS-1D C is a fantastic addition to the Cinema EOS System," said Kieran Magee, Marketing Director, Professional Imaging, Canon Europe. "Since the introduction of Cinema EOS we've had an excellent response from professionals who are hugely excited by the image quality and creative freedom the system offers. The new EOS-1D C will expand those creative options further – it's a unique camera, supporting 4K video recording in a highly compact body that can be used in a number of different ways. We're very excited to see what the professional community can achieve with it."

Advanced performance meets creative flexibility

Based on the core specifications of the EOS-1D X, the EOS-1D C provides exceptional image quality and versatility, with an 18.1-megapixel full-frame CMOS sensor. Optimised for high quality video capture, the sensor provides video professionals with the freedom to adjust image resolution to suit a subject or desired output. During 4K shooting pixels are cropped to an area equivalent to an APS-H sensor, preventing the need to resize or scale the image, ensuring maximum image quality. Additionally, a Super 35mm crop in Full HD recording caters for cinematographers who typically work in the Super 35mm field of view.

The sensor provides high quality performance in all conditions, delivering advanced creative blurring and light capturing abilities when used in combination with Canon's EF Cinema prime lenses. Its size enables professionals to achieve an extremely shallow depth of field with beautiful background blur, and sensitivity up to ISO 25,600 provides excellent quality and reduced noise in low-light situations.

In addition, support for 24, 25, 30, 50 and 60p frame rates in Full HD resolution shooting provides additional flexibility, satisfying the shooting needs of professionals across the industry. Industry-standard timecode and codec support and a choice of compression methods provides compatibility with established workflow processes, facilitating easy editing and grading immediately after shooting.

The EOS-1D C ships with an exclusive software package, including a suite that allows 4K/Motion JPEG and Full HD/60p video shot on the camera to be output on an external monitor2 with no loss of image quality. It also enables video shot with Canon Log Gamma to be output on a monitor with standard video gamma applied.

Additional advanced applications, including Picture Style Editor and EOS Utility, also enable adjustments to various camera settings to be conducted from a PC. Real-time procedures, such as the editing and registration of picture styles or checking results on a monitor, can be conveniently performed on-set using a PC or Mac – allowing users to promptly carry out adjustments, and ensuring efficient shooting and post-production procedures.

EF lenses and EF Cinema Lenses – freedom to explore

As part of the EOS system, the EOS-1D C is compatible with more than 60 EF lenses, all of which offer high resolutions to support 4K image capture. The EF lens series offers exceptional creative freedom, with focal length options ranging from 8mm to 800mm. Over 70 million EF lenses have been manufactured since the EOS system launched in 1987 – a measure of its unparalleled quality and popularity. As part of the Cinema EOS System, Canon has also introduced a range of 4K EF Cinema Lenses, utilising the company's unique optical heritage to produce leading-quality lenses optimised for high-quality video capture.

Canon EOS-1D C – key features:

• 4k movies
• 1080p at 50/60fps; Canon Log Gamma
• Uncompressed HDMI output
• 18 MP Full Frame CMOS
• Up to 12fps stills; 14fps mode
• 61 point AF system
• ISO range 100-25600
• Dual DIGIC 5+ processors
• Clear View II 8.1cm (3.2") LCD
• EF lens compatible

Sony Announces NEX FS700 4K Ready E-Mount

PARK RIDGE, N.J., April 2nd, 2012 – Sony is pushing the creative boundaries once more with the new NEX-FS700 Full-HD Super Slow Motion camcorder, the latest in Sony’s line-up of NXCAM interchangeable E-mount camcorders. The new Super 35mm model is designed for high-speed shooting and is capable of capturing footage at up to 960 frames per second. The camcorder also features a range of capabilities such as 3G HD-SDI output and built-in ND filters. Additionally, it also offers several creative options, shooting styles and enhanced ergonomics – all based on customer feedback – to deliver a flexible production tool that fits seamlessly into a variety of shooting applications.

“The NEX-FS700 opens the door to a new world of creative shooting,” said Bill Drummond, Strategic Marketing Manager, Sony Europe. “You can record beautiful high speed Full-HD movies with the freedom of choosing interchangeable lenses. The NEX-FS700, with its super slow motion mode, is ideal for pop promos, commercials and documentaries as well as sports and a variety of events productions.”

The camcorder delivers Full-HD quality images at 120 and 240 frames per second in an 8 or 16 seconds burst mode respectively. The NEX-FS700’s high sensitivity and low noise shooting capability makes super slow motion shooting more convenient without additional equipment. 480 fps and 960 fps rates at reduced resolution are available for faster frame rate recording.

The NEX-FS700 camcorder uses a new 4K “Exmor” Super 35 CMOS sensor (total 11.6 million pixels). This high-speed readout chip is optimised for motion picture shooting, giving high sensitivity, low noise and minimal aliasing.

The NXCAM’s E-Mount flexibility is designed to accept virtually all SLR and DSLR 35mm lenses, with the use of simple, inexpensive adapters without optical degradation. FS series owners can make use of their existing lenses and add more lenses without being forced on a brand or mount.

Users can capture high-quality still images with the NEX-FS700. The camcorder also includes face detection and auto focus to help ensure the subject is always kept in focus.

NEX-FS700 operators can take advantage of the camcorder’s built-in ND filters, with a newly designed wheel that rotates across the sensor like a turret. The wheel includes positions for Clear, 1/4 (2 Stop), 1/16 (4 Stop), and 1/64 (6 Stop).

The camcorder is 60/50Hz switchable to give people the freedom of working in any geographic region without being restricted to only PAL or NTSC recording.

The NEX-FS700’s 3GHD-SDI and HDMI connectors can output Full-HD 50p and 60p, in addition to standard HD 60i, 24p, 25p or 30p frame rates with embedded time code and audio. 3G HD-SDI can output native 23.98, 25, 29.97 progressive signals; users can choose to output PsF over the 3G HD-SDI. Thanks to flexibility of the digital ports virtually any external recorder can be connected.

Users can save up to 99 camcorder profile settings on a memory card and can copy the same setting to multiple units. Compatible media includes MS and SD memory cards and Sony’s HXR-FMU128 flash memory unit that attaches to the camcorder.

The NEX-FS700 features include a robust detachable top handle, secured by a pair of screws (a cold shoe, plus two sets of 1/4 and 3/8 inch holes) that allow heavy accessories to be mounted. The handle is attached with a rosette mount.

A key element of the handle is an “active grip” that features four buttons for commonly used functions – expanded focus, auto iris, still capture and Recording Start/Stop – so users can easily operate the camcorder while holding it. Function buttons are also enlarged to make operating easy, even while wearing gloves.

The camcorder’s enhanced durable design also includes anchor points for compatibility with third party accessories.

Sony is planning a future firmware upgrade that will enable the NEX-FS700 to output 4K bit-stream data over 3G HD-SDI when used with an optional Sony 4K recorder.

The NEX-FS700 is planned to be available in June 2012.