Entries in Video Camera (2)

Wednesday
Aug292012

Canon Announces EOS C100 Professional Video Camera

London, UK, 29 August 2012 – Canon today adds to the Cinema EOS System with the launch of the new EOS C100 – a compact, versatile interchangeable-lens professional video camera designed for independent videographers. Based on the core performance of the acclaimed EOS C300, the new model combines impressive hardware specifications with a range of new automatic features – making it ideal for professionals who shoot without a crew, or EOS videographers entering the Cinema EOS System for the first time.

With Canon’s Super 35mm 8.3MP Bayer-filtered CMOS sensor at its core, the EOS C100 combines exceptional image quality with a design approximately 15% smaller than the advanced EOS C300. The camera’s powerful imaging system enables the same processing as three-chip RGB systems, delivering exceptional colour, wide dynamic

range and proven low light performance, while extensive NLE support makes it suitable for a wide range of users and production purposes. With Canon’s EF mount users have immediate access to over 60 class-leading EF lenses, as well as the freedom to experiment with the company’s expanding EF Cinema Lens line-up.

First-class camera system
Designed to offer leading quality and portability, the EOS C100 features a specification designed around the needs of single operators. Its advanced imaging system utilises the widely-used AVCHD codec, with the CMOS sensor recording 1920×1080 (Full HD) resolution video to SD cards1 at 24Mbps with 4:2:0 colour sampling – delivering sharp, vivid, professional-quality video. Uncompressed video can also be output directly to external recorders via an integrated HDMI terminal, complete with embedded timecode data.

Equipped to provide exceptional performance, the EOS C100 allows users to capture high quality images for a range of creative outputs. Support for 24/25/30p and 50/60i frame rates offers flexibility, and an ISO range of 320-20,000 provides extensive exposure control and low noise in all lighting conditions. A new Wide Dynamic Range gamma setting makes it possible to shoot in demanding, high contrast situations – achieving a dynamic range of up to 800% without the need for extensive colour grading in post-production. Additionally, Canon Log Gamma enables the capture of high quality video rich in exposure latitude and dynamic range, and ensures footage has a consistent look and feel when used alongside other Cinema EOS cameras in multicamera shoots.

Easy operation for single users
As well as full manual control, the EOS C100 integrates a range of new automatic features to support independent operators such as documentary makers or news shooters. A new One Shot AF button enables users to instantly check focus, with the central image area automatically checked prior to recording. Push Auto Iris evaluates exposure and makes any required adjustments before shooting, while new Auto White Balance uses the power of Canon’s DIGIC DV III image processor to detect and balance colour information – allowing operators to focus on the story in front of them.

A new graphical user interface enables videographers to conveniently adjust standard camera settings using the LCD screen. Operators can fine-tune Gamma settings, with the camera displaying both ‘before’ and ‘after’ curves on-screen, while White Balance settings can be altered using the camera’s joystick lever, with a colour/plane graphic displaying the amount of compensation being applied in real time. Additionally, support for continuous, automatic focus and iris adjustment will be added by a firmware update in 2013, providing fast, smooth performance when used with specified models in Canon’s range of EF Stepper Motor (STM) lenses.

The EOS C100 also offers highly flexible storage, recording to two SD card slots. Users can record to both cards simultaneously with Double Slot Recording or use Relay Recording to automatically switch across memory cards when the one in use becomes full. In-camera down-conversion also allows operators to convert HD footage stored on one card to SD resolution on the other – ideal for operators who want to reduce the size or resolution of footage before transferring or web hosting.

Professional design, professional audio
The EOS C100 features the same modular concept made popular by the EOS C300. Engineered to provide mobility and durability, it features a robust build and lightweight construction ideal for use in a number of situations. Its magnesium alloy frame provides strength and rigidity while keeping weight to a minimum, allowing users to enjoy both versatility and comfort – even during all-day use.

A large, high quality 8.8cm (3.5”) Vari-angle LCD is situated on the rear of the camera body, which can be manoeuvred to offer easy access to a range of function buttons situated behind the display. An adjustable handgrip also offers DSLR-like ergonomics during handheld shooting, and can be removed altogether for shooting in tight spaces or as part of a multi-camera rig. The camera’s button layout also has been designed taking user feedback into account, with all recording buttons now featuring red markings for added convenience during shooting. Up to 15 assignable buttons also provide high levels of customisation, allowing each user to optimise camera operation to suit their own requirements.

The EOS C100 also offers professionally-optimised audio and connectivity, supporting the capture of Dolby Digital AC3 or 16-bit Linear PCM audio at 48 kHz – the high quality signal required for professional broadcast content. A stereo microphone is built into the camera’s detachable handle, alongside audio control dials and two XLR terminals which enable users to connect to external microphones and other sources. The camera also features a new lockable HDMI terminal that ensures cables remain securely attached to the input during shooting2.

EF lenses and EF Cinema Lenses – power to create
As part of the EOS system, the EOS C100 is compatible with over 60 EF lenses and Canon’s EF Cinema Lens line-up, and complements a new duo of compact lightweight cine zoom lenses, the CN-E15.5-47mm T2.8 L S and CN-E30-105mm T2.8 L S. Both new lenses offer outstanding mobility and quality, providing performance and value that makes them excellent options for independent professionals and production houses alike.

In addition, Canon’s hugely-popular EF lens series for DSLRs offers virtually unlimited creative freedom, with options to meet any budgetary requirement. The EF-S range comprises a selection of compact, lightweight zoom lenses that merge high image quality with affordable pricing, while the full-frame EF lens line-up offers outstanding quality and flexibility – utilising luxury, class-leading optics in a range of focal length options ranging from 8mm to 800mm. Since the launch of the EOS System in 1987 over 70 million EF lenses have been manufactured, a measure of the system’s unparalleled quality, popularity, and ability to meet the needs of all kinds of photography and video users.

Canon EOS C100 – key features:

  • 8.3MP Super 35mm CMOS sensor; Full HD
  • High sensitivity, low noise
  • 24Mbps AVCHD to SD cards
  • Automatic shooting functions
  • Interchangeable EF lenses
  • Canon Log Gamma
  • Compact, modular, lightweight
  • Professional audio
  • Seamless workflow integration
  • CPS video support
Tuesday
Apr032012

Sony Announces NEX FS700 4K Ready E-Mount

PARK RIDGE, N.J., April 2nd, 2012 – Sony is pushing the creative boundaries once more with the new NEX-FS700 Full-HD Super Slow Motion camcorder, the latest in Sony’s line-up of NXCAM interchangeable E-mount camcorders. The new Super 35mm model is designed for high-speed shooting and is capable of capturing footage at up to 960 frames per second. The camcorder also features a range of capabilities such as 3G HD-SDI output and built-in ND filters. Additionally, it also offers several creative options, shooting styles and enhanced ergonomics – all based on customer feedback – to deliver a flexible production tool that fits seamlessly into a variety of shooting applications.

“The NEX-FS700 opens the door to a new world of creative shooting,” said Bill Drummond, Strategic Marketing Manager, Sony Europe. “You can record beautiful high speed Full-HD movies with the freedom of choosing interchangeable lenses. The NEX-FS700, with its super slow motion mode, is ideal for pop promos, commercials and documentaries as well as sports and a variety of events productions.”

The camcorder delivers Full-HD quality images at 120 and 240 frames per second in an 8 or 16 seconds burst mode respectively. The NEX-FS700’s high sensitivity and low noise shooting capability makes super slow motion shooting more convenient without additional equipment. 480 fps and 960 fps rates at reduced resolution are available for faster frame rate recording.

The NEX-FS700 camcorder uses a new 4K “Exmor” Super 35 CMOS sensor (total 11.6 million pixels). This high-speed readout chip is optimised for motion picture shooting, giving high sensitivity, low noise and minimal aliasing.

The NXCAM’s E-Mount flexibility is designed to accept virtually all SLR and DSLR 35mm lenses, with the use of simple, inexpensive adapters without optical degradation. FS series owners can make use of their existing lenses and add more lenses without being forced on a brand or mount.

Users can capture high-quality still images with the NEX-FS700. The camcorder also includes face detection and auto focus to help ensure the subject is always kept in focus.

NEX-FS700 operators can take advantage of the camcorder’s built-in ND filters, with a newly designed wheel that rotates across the sensor like a turret. The wheel includes positions for Clear, 1/4 (2 Stop), 1/16 (4 Stop), and 1/64 (6 Stop).

The camcorder is 60/50Hz switchable to give people the freedom of working in any geographic region without being restricted to only PAL or NTSC recording.

The NEX-FS700’s 3GHD-SDI and HDMI connectors can output Full-HD 50p and 60p, in addition to standard HD 60i, 24p, 25p or 30p frame rates with embedded time code and audio. 3G HD-SDI can output native 23.98, 25, 29.97 progressive signals; users can choose to output PsF over the 3G HD-SDI. Thanks to flexibility of the digital ports virtually any external recorder can be connected.

Users can save up to 99 camcorder profile settings on a memory card and can copy the same setting to multiple units. Compatible media includes MS and SD memory cards and Sony’s HXR-FMU128 flash memory unit that attaches to the camcorder.

The NEX-FS700 features include a robust detachable top handle, secured by a pair of screws (a cold shoe, plus two sets of 1/4 and 3/8 inch holes) that allow heavy accessories to be mounted. The handle is attached with a rosette mount.

A key element of the handle is an “active grip” that features four buttons for commonly used functions – expanded focus, auto iris, still capture and Recording Start/Stop – so users can easily operate the camcorder while holding it. Function buttons are also enlarged to make operating easy, even while wearing gloves.

The camcorder’s enhanced durable design also includes anchor points for compatibility with third party accessories.

Sony is planning a future firmware upgrade that will enable the NEX-FS700 to output 4K bit-stream data over 3G HD-SDI when used with an optional Sony 4K recorder.

The NEX-FS700 is planned to be available in June 2012.